Written by Thomas Schrage


Genesis‘ first album was not called Trespass but From Genesis To Revelation. Many fans tend to count it as their zeroeth album. It shows no or at best only the most minuscule traces of the style that would make them well-known later, and therefore frequently meets with a refusal and lack of affection. Justly so?

The band did not have the line-up they got known with yet. One could say they did not even exist. They came together to record demo-tapes in the first place. All of them knew each other from Charterhouse public school. The songwriter team Rutherford and Anthony Phillips asked Tony Banks to play the piano for them; Banks only agreed if he could bring his songwriting partner Peter Gabriel to record a song. Soon they were convinced that Gabriel’s voice sounded better than Phillips’ so he ended up singing on all the songs.

When he did not sing, Phillips played the guitar, a position he would retain up to Trespass. Initially, the drums were played by one Chris Stewart, though the drumming on the album would be done by John Silver. The drummer’s stool would not be filled permanently until Phil Collins joined Genesis. Only with him did the band find someone who was accepted as a full member and could incorporate himself.

These boys (most of them were around 17 at the time) managed to land a record contract with Jonjo Music in August 1967. That only meant that a single would be released. King was an alumnus of Charterhouse and had had quite a successful hit with Everyone’s Gone To The Moon. A shallow pop song though that may have been, he nevertheless seemed to be a person of success and influence, and they found it very promising that they could have him produce them.

Read More


The year was 1969. Among the many discoveries made that year was something called "the import record" - albums from England that were either different from those released here, or just plain never released in Athens.

I remember pulling together a stack of domestic promotional albums and heading to a downtown rendezvous, near Acropolis to a place called Plaka, where in a small records shop they were traded for a decidedly smaller stack of imports. One of them was a little item that had a black cover with gold lettering proclaiming FROM GENESIS TO REVELATION. It was the first effort of a British group that couldn't decide on their name, although the music was much more decisive - I immediately vowed to become a fan once they figured out what to call themselves....


Genesis Group Members
Peter Brian Gabriel Gemesis 1970 - 1975
BORN: February 13, 1950, London, England
As the leader of Genesis in the early '70s, Peter Gabriel helped move progressive rock to new levels of theatricality. In his solo career, Gabriel was no less ambitious, but he was more subtle in his methods.
Anthony George Banks Gemesis 1970 - 1975
BORN: March 27th, 1950, East Sussex, England
Tony Banks started his career with Genesis in 1967 as the pianist/keyboardist, after the emergence of the Charterhouse School Bands The Garden Wall, which Tony was a member,..
Michael John Rutherford Gemesis 1970 - 1975
BORN: October 2nd, 1950, Guildford, Surrey, England
A founding member of the long-running art-rock band Genesis, Mike Rutherford also made the occasional excursion into solo projects, most notably the pop combo Mike + the Mechanics.
Phillip David Charles Collins Gemesis 1970 - 1975
BORN: January 31, 1951, Chiswick, London, England
Phil Collins' ascent to the status of one of the most successful pop and adult-contemporary singers of the '80s and beyond was probably as much of a surprise to him as it was to many others.
Steven Richard Hackett Gemesis 1970 - 1975
BORN: February 12th, 1951, England
Formerly a member of various minor bands, including Canterbury Glass, Heel Pier, Sarabande and Quiet World, the latter releasing a solitary album on Dawn Records in 1970, Hackett joined Genesis as guitarist in early 1971.


March 16th, 2015 By Jim Laugelli

I could have very easily chosen a number of other Genesis albums but I decided on this one simply because it features what is perhaps the most significant song in all of progressive rock: “Supper’s Ready.” My introduction to Genesis occurred 41 years ago and had one of the most profound impacts on my personal musical journey. On that night, in May of 1974, a friend asked if I wanted to see a concert. He had a few extra tickets for a Genesis show and no one to join him. I never heard of the band and for some reason thought they were probably some sort of acoustic act. As far as I recall, my friend knew little about the band as well. I believe someone just gave him the tickets. With nothing better to do I decided to check it out. When we arrived at the venue and had taken our seats I remember my curiosity ratcheting up when the pre-concert music over the P.A. was Mike Oldfield’s Tubular Bells. This signaled to me that I was probably going to hear something unexpected. Sure enough, when the lights went down and the crowd quieted, the opening chords to “Watcher Of The Skies” begins. I immediately leaned forward in my seat totally consumed by the sound of the mellotron.

As that instrument eases, the staccato rhythm of the bass begins and in the darkness a pair eyes appear, they seem to be searching, radiating, only to reveal a figure in a cape with bat wings wrapped around his head. The vocals then begin and until the end of the show I remain completely and utterly captivated. My mind was officially blown. It was a revelation. I left that show a changed person. This was music that went beyond my imagination. It was presented like theater, it told stories. In fact, before many songs, Gabriel told surreal little tales as a way of introducing the tunes. The next day I bought Foxtrot, and then Selling England By The Pound, Nursery Cryme and Trespass all in short order. I immersed myself in their music.

Foxtrot begins the band’s high point of three consecutive outstanding albums. It was released in 1972, a banner year for progressive rock that also saw the release of Close To The Edge by Yes, Thick As A Brick from Jethro Tull, Trilogy by ELP, Three Friends from Gentle Giant and a slew of other incredible records. For Genesis, Foxtrot saw them tackle ideas they started with their two previous releases, Trespass and Nursery Cryme. The level of complexity in song structure, the emphasis on theatricality and drama, storytelling and extended song form all reached a new level of sophistication on Foxtrot.

Read More

1967 - 1975
Discography Comments Compiled by Ikon Designing
Aside from a portion of the box set, this is the only commercially available live document of vintage Gabriel-era Genesis.
Official Album Releases Compiled by Ikon Designing
That's it. Genesis' most ambitious work to date that ultimately led to the shock departure of their much loved singer Peter Gabriel.
Genesis Album Artwork Compiled by Ikon Designing
The painterly texture of the album art is a very nuanced addition to the artwork., but with a plain light yellow-tan border, the artwork itself can feel a bit drab.
Jonathan King and the Name Compiled by Ikon Designing
In 1963 Peter Gabriel and Tony Banks met at Charterhouse, a boarding-school, that layed in the English county Surrey in the middle 1960s.
Before Phil Compiled by Ikon Designing
Once upon a time, in a land far, far away. . . England, I think it was called. . . There lived four young men. . Their names were Ant Phillips, Michael Rutherford, Tony Banks and Peter Gabriel.
The Glory Years Compiled by Ikon Designing
While recovering from this, he began writing Genesis' most ambitious project to date, "Supper's Ready," a 23-minute masterpiece
Touch of the Jaggers Compiled by Ikon Designing
On every level the band transcend any kind of expected performance standard. Musically they are so proficient they make that part of the job look like a secondary exercise.
Man behind the Mask Compiled by Ikon Designing
Genesis obviously differ from the dressed-up 12-bar that most bands unravel. And because of these very differences, the band have been slated over over their motives.
Hall of Mutant King Compiled by Ikon Designing
Lifeless was the performance of leader Peter Gabriel; the protagonist's name is Rael so it's surely no accident that Gabriel is a Roger Daltry sound alike.

Since the first rumblings of Genesis in 1967, it was clear that Peter Gabriel had his own unique vision. His path to find his own artistic identity would lead him to constantly look for new ground. Though his tenure with Genesis was less than a decade, the mark he left on the band, and the fans, is undeniable. To this day there are those who swear only by the Gabriel era, dismissing everything that came after, while, of course, record sales would play devil’s advocate. While Gabriel would go on to artistic and commercial triumphs on his own, the music he created with Genesis remains a unique and incredible batch of recordings. We have picked a paltry few of the many highlights of the fabled era for this list of the Top 10 Peter Gabriel Genesis Songs, but the truth is, there’s nary a bum note in the entire catalog.



10
“In the Beginning”
From: ‘From Genesis to Revelation’ (1969)
 
The first Genesis album, From Genesis to Revelation is all but forgotten, even by many of the band’s fans. While the band is obviously not fully developed yet, as a first step, it’s got plenty of charm and great tunes. Early on, Genesis had adopted a significantly more “pop” approach than what they would soon immerse themselves in. Plenty of nods to the likes of the Beatles and Bee Gees were front and center, but you can hear the rumblings of what would become the true Genesis sound on the song “In the Beginning.” The song begins with an ominous rumble before the acoustic guitar driven tune kicks in, and the offbeat lyrics give a hint as to what was to come. While the song has elements of the Moody Blues, it is decidedly more aggressive. The essence of musical drama was in the air. A lost gem if ever there was one.

9
“The Knife”
From: ‘Trespass’ (1970)
 
With their second album, Trespass, Genesis had noticeably changed direction from their first recordings. Gone were the more quaint, Baroque pop stylings, and in their place a more, dare we say, “mature” mood created. The songs were longer, more complex and more demanding. This approach would be cemented by album number three, but of the songs here, there is no denying “The Knife” as king. This song was their first show-stopper, serving as the centerpiece of their concerts at the time. The band is commanding as they flex their musical muscle here, while Gabriel is finding his signature voice here as well.
 
8
“The Lamb Lies Down on Broadway”
From: ‘The Lamb Lies Down on Broadway’ (1974)
 
The shimmering piano intro sets the scene as the band slowly move in and the story of the troubled Rael is put forth on the No. 8 entry in our list of the Top 10 Peter Gabriel Genesis Songs. The catchy, yet far from simplistic song, is brimming with a bravado not always part of the Genesis arsenal. Gabriel’s vocal here ranks as one of his finest.  “The story in a way, is like a Pilgrim’s Progress but on the streets of New York,” said Gabriel in commenting on the album, “It’s a spiritual journey into the soul, but it was quite a tough world that’s feeding the imagery.”
 
7
“Firth of Fifth”
From: ‘Selling England by the Pound’ (1973)
 
While Gabriel’s performance on this tune from their fifth album, Selling England by the Pound, is nothing short of brilliant, it is the instrumentalists who really steal the show here. From the grand piano intro by Tony Banks to the spine-chilling guitar solo from Steve Hackett, this is a tour de force. Banks, Hackett and Gabriel (on flute) each draw from the same melodic theme for their respective solos, but it’s not until Hackett is in the driver’s seat that it takes off for the skies.

6
“The Carpet Crawlers”
From: ‘The Lamb Lies Down on Broadway’ (1974)
 
“The Carpet Crawlers” is arguably the most beautiful song Genesis ever laid down. From the haunting piano intro to the final fadeout, it is second-to-none in terms of dreamlike beauty. The melody itself is haunting, but Peter’s performance here is beyond compare. The song builds, becoming more forceful and majestic as it moves along. Though a 1999 re-recorded version featuring both Gabriel and Phil Collins made its way to radio play, it is the Lamb original that resonates for the ages.

5
“Watcher of the Skies”
From: ‘Foxtrot’ (1972)
 
The opening number during the band’s 1972 tour and No. 5 on our list of the Top 10 Peter Gabriel Genesis Songs, “Watcher of the Skies” set the stage for the band’s increasingly visual stage shows. As Gabriel appeared out of the darkness with bat wing headdress, glowing eye make up and glittery cape, he transformed Genesis concerts into a feast for the eyes as well as the ears. The long organ intro by Tony Banks creates a tension not broken until the band crash the party in 6/8 time. The stop-start riff may have been inspired by the intense style of King Crimson, but Genesis put their own spin on things. Certainly one of the band’s most loved songs.

4
“Dancing With the Moonlit Knight”
From: ‘Selling England by the Pound’ (1973)
 
As the needle hits the vinyl on the first track on Selling England by the Pound, we hear Peter Gabriel alone in the spotlight, almost as if he’s delivering a sermon. “Can you tell me where your country lies, said the uni-faun to his true love’s eyes,” he sings a capella before the band quietly make their presence known. Gabriel recites a tale of a not-so merry Old England, as the band are blazing here with complex changes dished out left and right. “One of the aims of this record was to look at Englishness in a different way,” said Peter Gabriel in an interview about the making of the album. Guitars and Mellotron entwine to create a beautiful wall of sound.

3
“The Musical Box”
From: ‘Nursery Cryme’ (1971)
 
“I think we wanted to expand the horizons of the musical world we were living in,” said Peter Gabriel in a documentary about Nursery Cryme, their third album, and first album to feature guitarist Steve Hackett and drummer Phil Collins. By this time, they had finally found their musical identity. Incorporating a variety of influences from the worlds of pop, rock and classical, “The Musical Box” kicks off that album and welcomes the listener to their unique world. It’s all here, the drama, the humor, and the intricate musical road map. “And the nurse will tell you lies of a kingdom beyond the skies,” were not your standard rock and roll lyrics, but of course, Genesis were not your standard rock and roll band. They would up the ante over the next few albums, surpassing themselves at every turn, but this is their first genuine classic.

2
“Back in N.Y.C.”
From: ‘The Lamb Lies Down on Broadway’ (1974)
 
 Released in the fall of 1974, The Lamb Lies Down on Broadway is arguably the band’s masterpiece. The  listener is taken on a thrilling ride from start to finish, veering from pure pop melodies to wild sonic experimentation, often within the same song. As the conceptual, and admittedly confusing, story of Rael unfolds before our ears, one thing is for certain, Genesis were at the top of their game. Gabriel’s performance throughout is stunning, perhaps nowhere more so than on “Back in N.Y.C.” The power of his voice here is striking as he spits out the lyrics with pure venom. The anger in his performance, and the fact that the character of Rael was a leather jacket-clad street punk, predates both the Ramones, and punk rock by nearly a year. So much for the prog vs. punk wars.

1
“Supper’s Ready”
From: ‘Foxtrot’ (1972)
 
The signature song of the band’s live set for several years, “Supper’s Ready” is an epic tour de force, its power and beauty remaining in full bloom all these years later. Though the song clocks in at over 22 minutes, it’s hardly the pretentious ramblings often associated with prog rock. It is, in fact, a handful of shorter songs strung together to create a milestone of the progressive rock era. The often surrealistic lyrics are laid out atop the ever-shifting, always dynamic musical backdrop to create one of the most unique entries in their catalog.  For many, this was the pinnacle of the Gabriel era, and heads our list of the Top 10 Peter Gabriel Genesis Songs.

Go Back