Written by Thomas Schrage


Genesis‘ first album was not called Trespass but From Genesis To Revelation. Many fans tend to count it as their zeroeth album. It shows no or at best only the most minuscule traces of the style that would make them well-known later, and therefore frequently meets with a refusal and lack of affection. Justly so?

The band did not have the line-up they got known with yet. One could say they did not even exist. They came together to record demo-tapes in the first place. All of them knew each other from Charterhouse public school. The songwriter team Rutherford and Anthony Phillips asked Tony Banks to play the piano for them; Banks only agreed if he could bring his songwriting partner Peter Gabriel to record a song. Soon they were convinced that Gabriel’s voice sounded better than Phillips’ so he ended up singing on all the songs.

When he did not sing, Phillips played the guitar, a position he would retain up to Trespass. Initially, the drums were played by one Chris Stewart, though the drumming on the album would be done by John Silver. The drummer’s stool would not be filled permanently until Phil Collins joined Genesis. Only with him did the band find someone who was accepted as a full member and could incorporate himself.

These boys (most of them were around 17 at the time) managed to land a record contract with Jonjo Music in August 1967. That only meant that a single would be released. King was an alumnus of Charterhouse and had had quite a successful hit with Everyone’s Gone To The Moon. A shallow pop song though that may have been, he nevertheless seemed to be a person of success and influence, and they found it very promising that they could have him produce them.

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The year was 1969. Among the many discoveries made that year was something called "the import record" - albums from England that were either different from those released here, or just plain never released in Athens.

I remember pulling together a stack of domestic promotional albums and heading to a downtown rendezvous, near Acropolis to a place called Plaka, where in a small records shop they were traded for a decidedly smaller stack of imports. One of them was a little item that had a black cover with gold lettering proclaiming FROM GENESIS TO REVELATION. It was the first effort of a British group that couldn't decide on their name, although the music was much more decisive - I immediately vowed to become a fan once they figured out what to call themselves....


Genesis Group Members
Peter Brian Gabriel Gemesis 1970 - 1975
BORN: February 13, 1950, London, England
As the leader of Genesis in the early '70s, Peter Gabriel helped move progressive rock to new levels of theatricality. In his solo career, Gabriel was no less ambitious, but he was more subtle in his methods.
Anthony George Banks Gemesis 1970 - 1975
BORN: March 27th, 1950, East Sussex, England
Tony Banks started his career with Genesis in 1967 as the pianist/keyboardist, after the emergence of the Charterhouse School Bands The Garden Wall, which Tony was a member,..
Michael John Rutherford Gemesis 1970 - 1975
BORN: October 2nd, 1950, Guildford, Surrey, England
A founding member of the long-running art-rock band Genesis, Mike Rutherford also made the occasional excursion into solo projects, most notably the pop combo Mike + the Mechanics.
Phillip David Charles Collins Gemesis 1970 - 1975
BORN: January 31, 1951, Chiswick, London, England
Phil Collins' ascent to the status of one of the most successful pop and adult-contemporary singers of the '80s and beyond was probably as much of a surprise to him as it was to many others.
Steven Richard Hackett Gemesis 1970 - 1975
BORN: February 12th, 1951, England
Formerly a member of various minor bands, including Canterbury Glass, Heel Pier, Sarabande and Quiet World, the latter releasing a solitary album on Dawn Records in 1970, Hackett joined Genesis as guitarist in early 1971.


March 16th, 2015 By Jim Laugelli

I could have very easily chosen a number of other Genesis albums but I decided on this one simply because it features what is perhaps the most significant song in all of progressive rock: “Supper’s Ready.” My introduction to Genesis occurred 41 years ago and had one of the most profound impacts on my personal musical journey. On that night, in May of 1974, a friend asked if I wanted to see a concert. He had a few extra tickets for a Genesis show and no one to join him. I never heard of the band and for some reason thought they were probably some sort of acoustic act. As far as I recall, my friend knew little about the band as well. I believe someone just gave him the tickets. With nothing better to do I decided to check it out. When we arrived at the venue and had taken our seats I remember my curiosity ratcheting up when the pre-concert music over the P.A. was Mike Oldfield’s Tubular Bells. This signaled to me that I was probably going to hear something unexpected. Sure enough, when the lights went down and the crowd quieted, the opening chords to “Watcher Of The Skies” begins. I immediately leaned forward in my seat totally consumed by the sound of the mellotron.

As that instrument eases, the staccato rhythm of the bass begins and in the darkness a pair eyes appear, they seem to be searching, radiating, only to reveal a figure in a cape with bat wings wrapped around his head. The vocals then begin and until the end of the show I remain completely and utterly captivated. My mind was officially blown. It was a revelation. I left that show a changed person. This was music that went beyond my imagination. It was presented like theater, it told stories. In fact, before many songs, Gabriel told surreal little tales as a way of introducing the tunes. The next day I bought Foxtrot, and then Selling England By The Pound, Nursery Cryme and Trespass all in short order. I immersed myself in their music.

Foxtrot begins the band’s high point of three consecutive outstanding albums. It was released in 1972, a banner year for progressive rock that also saw the release of Close To The Edge by Yes, Thick As A Brick from Jethro Tull, Trilogy by ELP, Three Friends from Gentle Giant and a slew of other incredible records. For Genesis, Foxtrot saw them tackle ideas they started with their two previous releases, Trespass and Nursery Cryme. The level of complexity in song structure, the emphasis on theatricality and drama, storytelling and extended song form all reached a new level of sophistication on Foxtrot.

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1967 - 1975
Discography Comments Compiled by Ikon Designing
Aside from a portion of the box set, this is the only commercially available live document of vintage Gabriel-era Genesis.
Official Album Releases Compiled by Ikon Designing
That's it. Genesis' most ambitious work to date that ultimately led to the shock departure of their much loved singer Peter Gabriel.
Genesis Album Artwork Compiled by Ikon Designing
The painterly texture of the album art is a very nuanced addition to the artwork., but with a plain light yellow-tan border, the artwork itself can feel a bit drab.
Jonathan King and the Name Compiled by Ikon Designing
In 1963 Peter Gabriel and Tony Banks met at Charterhouse, a boarding-school, that layed in the English county Surrey in the middle 1960s.
Before Phil Compiled by Ikon Designing
Once upon a time, in a land far, far away. . . England, I think it was called. . . There lived four young men. . Their names were Ant Phillips, Michael Rutherford, Tony Banks and Peter Gabriel.
The Glory Years Compiled by Ikon Designing
While recovering from this, he began writing Genesis' most ambitious project to date, "Supper's Ready," a 23-minute masterpiece
Touch of the Jaggers Compiled by Ikon Designing
On every level the band transcend any kind of expected performance standard. Musically they are so proficient they make that part of the job look like a secondary exercise.
Man behind the Mask Compiled by Ikon Designing
Genesis obviously differ from the dressed-up 12-bar that most bands unravel. And because of these very differences, the band have been slated over over their motives.
Hall of Mutant King Compiled by Ikon Designing
Lifeless was the performance of leader Peter Gabriel; the protagonist's name is Rael so it's surely no accident that Gabriel is a Roger Daltry sound alike.

PETER GABRIEL TONY BANKS MIKE RUTHERFORD PHIL COLLINS STEVE HACKETT


Anthony Edwin "Ant" Phillips, was born 23 December 1951, Chiswick, west London, is an English multi instrumentalist, first known as a founding member of the band Genesis. He played guitar and sang backing vocals until leaving in 1970, following the recording of their second album, Trespass.
He left due to suffering from stage fright, after being told by his doctor that the best thing would be to leave the band. He is known for his twelve string guitar work, and his influence can be heard throughout Genesis's early output.
Genesis's first album after Phillips's departure, Nursery Cryme, featured two songs which were holdovers from the days when Phillips was in the band: "The Musical Box" and "The Fountain of Salmacis".
After leaving Genesis, Phillips studied classical music (especially classical guitar) and made recordings in collaboration with Harry Williamson, Mike Rutherford and Phil Collins, among others. He played the keyboards on the demos for Peter Gabriel in 1976. His first solo album, The Geese and the Ghost, was issued in 1977.


Christopher 'Chris' Stewart (born 1950), was the original drummer and a founding member of Genesis. He is now a farmer and an author.
A classmate of Tony Banks and Peter Gabriel at Charterhouse School, Stewart joined them in a school band called The Garden Wall, and they later formed another band with schoolmates Mike Rutherford and Anthony Phillips, called Anon. This band eventually became Genesis in January 1967. Stewart appears on the band's first two singles, "The Silent Sun"/"That's Me" and "A Winter's Tale"/"One-Eyed Hound."
Although several demos from Stewart's time with Genesis appear on the Genesis Archive 1967-75 box set, he is not credited with playing on any of them.

 


Mick Barnard played the guitar in Genesis for about six months as Anthony Phillips' temporary replacement and was quickly relieved by Steve Hackett.
Mick Barnard was a guitarist in the UK rock band, The Farm. He was also the guitarist of the band Genesis for a brief time, following the departure of founding member Anthony Phillips, the role for which he is perhaps best remembered today.
After leaving Genesis, Barnard embarked on a successful career in audio engineering, founding the Bel Digital Audio company in 1975.
Genesis' final concert with the Trespass line-up (Tony Banks, Peter Gabriel, Mike Rutherford, Anthony Phillips, John Mayhew) was on 18 July 1970, after which Phillips left the band. From 6 August to 17 September 1970 they played concerts as a four piece. Soon after that, Mayhew was replaced by Phil Collins, and the band played as a four piece with Collins from 2 to 23 October. The Banks-Gabriel-Rutherford-Collins-Barnard line-up played shows from 3 November 1970 to 10 January 1971: a total of thirty concerts and one television appearance. Barnard was then replaced by Steve Hackett, and this new line-up played their first concert on 14 January 1971.


John Mayhew, (27 March 1947 – 26 March 2009),  was the third drummer for the progressive rock band Genesis. He replaced previous drummer John Silver in August 1969. He appears on the album Trespass as well as the Genesis Archive 1967-75 box set. He was replaced in August 1970 by Phil Collins.
Mayhew grew up in Ipswich with his brother Paul who was some ten years older. His parents parted and John, who by then was in his teens, went with his father.
After that he saw very little of his brother, who had remained with John's mother. He inherited his love of music from his mother, and played with bands in the Ipswich area, moving to the London scene in the late sixties. In early 2009 Paul Mayhew had begun a search for him, having not seen John for 18 years and having had little to do with him since the early 1970s Mayhew joined Genesis in the summer of 1969 to replace departing drummer John Silver, who enrolled at Cornell University in the US to study leisure management. As well as being a professional musician, Mayhew was also a carpenter. He installed proper panelling and seating in the band’s transport, a former bread delivery van, as well as building the cabinet for a home-made Leslie speaker that would often grind to a halt during live performances.


John Silver replaced Chris Stewart in 1968 and the new drummer for Genesis.  John had the fortunate pleasure of dumming on the first Genesis album From Genesis To Revelation.  After the album had been completed John left the band.
Jonathan (John) Silver (born 1950) was the second drummer for the English rock band Genesis. He replaced Chris Stewart in the summer of 1968 and appears on their first full length album, From Genesis to Revelation, and on the Genesis Archive 1967-75 box set. He left the band in August 1969 and was replaced by John Mayhew.
In 1973 Anthony Phillips, Mike Rutherford and Phil Collins recorded a song dedicated to Silver, called "Silver Song". This recording and other versions of the song have been included on albums by Phillips. Silver also appears on the 1973 recording "Fantomas Opening Theme" which appears on Phillips' Archive Collection Volume II.
 


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